I perform a wildly vast array of styles and repertoire — probably enough to get me intro trouble: contemporary acoustic and electro-acoustic works for percussion and mixed chamber ensembles; historical performance practices of the Baroque period; dance and ceremonial drumming of the Gbe-speaking region of coastal West Africa; improvisation for chamber ensembles and solo performance; and a cadre of experimental musical practices, including animated notation, live foley artistry, and musical robotics. These experimental practices are part of my Mad Hatter project series.